Tags
Boredom, Electric Axis, Fool, Idolatry, Peasant, Permanence, Sidereal Aries Moon, Tropics, Vertex
“Soon the hay-fields will ripen, soon the berry will show
Then they’ll fade into Autumn, to lie under the snow
Some years among many leave much more to remember
No need to explain how I feel about her. (Siebel, 1970.)
You could say that every Full Moon tests the understanding between lovers, but none presents greater danger than this one. “Is a dream a lie if it don’t come true, or is it something worse?” (Springsteen, 1980.) “Man from Mars, this time you went too far.” (Mitchell, 1989.) My heart may harbour a different dream, but it hurts just the same as yours. The man in the Moon exults in the light of the goddess Sun, but we all too often define worship as needy, and are just as quick to label vain assertions of independence as egoistic. We cherish the freedom of Summer in Winter, and the intimacy of Winter in Summer, but Spring and Autumn are most uncomfortable bedfellows, when the one is full of hope and the other is full of resentment. But so much in love depends on attachment style. The Peasant transits simultaneously over Detroit and Columbus (Ohio), and on down through Georgia and Florida, Western Cuba, the Gulf of Mexico and Costa Rica, and as latitude decreases, the meaning of love becomes more primal, totemic and transcendent. Do you have enough yeast in you to trace the astrological g-spot?
The Scales upside-down are a policeman’s boot, which means racial discrimination and the imposition of foreign law, but Aries is a ram, both ways, all instinct. If you have a sensitivity to cultural appropriation, you ask walking directions from Google Maps for Bamaga to Melbourne, and by all means argue your arcane knowledge of water-holes and star maps for one day’s walk out of sixty. That’s Aries. Here it comes: Permanence.
The Peasant is a convergence of two archetypes, one being coarse and ignorant, and the other confined to tradition and the rhythms of Nature. He is contemptuous of urban sophistication and political correctness, because every day he must, on behalf of city-slickers, do things they are too squeamish for, such as saw off the horn growing into an eye, shoot an endangered bird raiding the fruit, cut down a native tree or separate the newly-born from their mothers for butchering. He is the very opposite of late-Spring tranquility, and yet in his intransigence he is tranquil in his way. He will give you a mouthful if you do not qualify as his judge, but to let him get on with what he has to do you must be content with his reversal of your superiority. The Peasant is the quintessential Shakespearean Fool.
But what stirs in his heart? What hides behind his stubbornness, his brusqueness and his sullen strength, to explain his relentless commitment and unwavering care? Fly over farmland and weep for the felled forest of the world, but marvel at the increment of life upon life of back-breaking hard work with axe and saw. How many generations, how many acres per man? The Vertex and its projector are but geometric labels in search of a symbology, but peasants do have beloveds, I’m sure, even if they don’t dream of them like lovelorn adolescents. Every peasant is a philosopher on the porch before bed, with only one rudder in the sea of stars and time straight up, his deep. How did they love their wives? How did their children love them? And how are they remembered? For atrocities against indigenous people who were just like them? In terms of the imagination, not a lot has changed.
Permanence can easily be envisaged through the eyes of a peasant on a porch, raising his countenance from idealization at the horizon, comfortable completion halfway up, and then its logical implication as high as it is possible to look without straining something. But the peasant knows that the stars move the other way across the west, and it is a little more difficult to understand what’s happening when the cynic craning his neck eastward has to turn around.
The experts say that tropical weather patterns are expanding, but the lines of tropical latitude (Cancer and Capricorn) are moving towards the Equator, at the rate of about 1.5 kilometres per century. Currently, the Vertex can appear in Meridian Houses V and VIII at north and south latitudes less than 40.92°, IV and IX less than latitude 26.59°, and crosses the Meridian, twice, in the tropics, when the Ecliptic is overhead, equal and opposite distances from the Equinoxes. At the Equator, it is always at the (tropical) Aries or Libra Points–the Equinoxes–(whichever is in the west). It is permanent.
The enslavement of a user by a plaything is actually quite common, and really the transit of the zodiac at the zenith is as banal if you don’t apply your attention to it. Is not accepting a truth you don’t understand mere clinging to a world made by others? Is not the task of fixing a problem you see in someone else not a column in an edifice meant to be older than time? You’ve probably heard, ‘I’ll never forget you,’ a few times, and even, ‘It was written in the stars.’ What is heaven without permanence, asks the cynic trying to analyse eternity. Idolatry is boredom’s safety net, dreaming of old flames, or the first rung on the ladder of affect.
“Come away, come away, death,
And in sad cypress let me be laid;
Fie away, fie away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death, no one so true
O did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand, thousand sighs to save,
Lay me, O where
Sad true lover never find my grave,
O to weep there!”
Feste, Twelfth Night.
[My vain project is not only to enhance tropical astrology with a Southern Hemisphere perspective and an equatorial connection to the still-visible stars which might help heal its visible displacement, but to present a non-linear, cyclical background to human affairs before which people might discover more of the preconception of their moment, and as whom they are being created in it. I am not an activist telling you who you are, a scientist telling you what you’re made of or a medicine-man telling you who you were meant to be. Call me deluded, call me demented, but if I say something which helps you resist the magical realism of DSM diagnosis, the abyss of stardust cosmology, and the taboo against tampering with preordained creation with bottom-up interpretations of time and place, then I am justified in acting the fool. Call me a peasant then, my fellow-peasants!]