On 15 September 1788, at a little after 11pm in the penal colony at Sydney Cove, from which, incidentally, Friendship had already departed on its last voyage, the blaze of a Full Moon in the eyes of watchful observers, indigenous and transported alike, extinguished the stars around it in the Circlet of Pisces. This exceedingly rare extinguishment, comprehensive in most skies, is, in a nutshell, the Monk’s identity.
Whether it is some form of cosmic enthronement or Assumption he seeks, or the lost domain of a compulsive limerence of mystical import, he is exercised year after year by the Divine Hand which moves the lunar nodes and his ecliptic latitude, and every few hundred years when syzygy, latitude and Circlet coincide (in a cluster of a half-dozen or so September Full Moons nineteen years apart), he represents the eternal question, who and where am I absolutely?
Are we not in awe of the Monk? His intention is clear: to transcend country, where life projects its absence, but lived example might still swing the vote on whether the world is spirit or matter. How do you see yourself? Are you an intersection of connections, or a hierarchy of systems? And what do you think of the Vertex? Is it out there, or in here, a cyclic projection of separateness, or a theoretical synthesis of hormonal fictions? Undeniably, since it turns the Zodiac upside down, the Vertex is the star of the show in the Tropics!
The Monk’s grace appears to transcend anxiety and comfort, of day and night and birth and death, and so the gratitude of locals for spirit is his trade. On the other hand, who these days encounters monks at all, for that matter? Is it possible that feckless relativism might erase them altogether along with the escarpments of Pisces? Certainly, one must ask the question, when the Monk next attains his goal in 212 years (though he will come tantalisingly close several times, e.g. 2032), will there be anyone left to map his ghostly presence, if not see it?
As a patron of this installation, you might wonder if light pollution makes it less successful as a stimulus to self-discovery, or in fact more so. The stars which coincidentally comprise the crown, or ruins, or abyss, or whatever the shadows on the wall resemble, occupy a range of classifications and distances, but how has data like this ever cultivated meaning? The artist’s intention is clear: to other us. Look through the Circlet at a Monk who is not there, and after two years of not sharing the finite time of your grandchildren, you are gazing into the soul of your emptiness, an underworld universe inhabited by nobody who knows you.
Of course if you cannot see anything, that might be the creator’s point. Are you sure that you, regular user of that commuter platform or aimless passerby of that noisy, garishly lit alleyway, are not part of the installation? While anti-vaxxers and other oppressed minorities wrestle for centre-stage, and fires visibly burning throughout the Galaxy hundreds and thousands of years ago share no warmth, the Circlet might as well be the root of blame for human languishing, and the Monk its quarantined bureaucrat. What a way to fortify socialism!
Populism has completely disappeared, because it is now absolutely everywhere. Everyone is an activist Sagittarian wannabe, and a world which places supreme value in presence is a very dangerous place.
A picture is worth a thousand words. Sorry to be Abliq … you have to be careful what you say, because in the shadows of your meaning lurk innumerable barrow-pushers looking for clickbait.
You couldn’t make this stuff up!
The world is intersectionally sick, and no top-down therapy is going to heal it.
Denizens of the Northern Hemisphere need not feel deprived of the splendours visible down here.
You were looking in the wrong place. Leave your -isms under your bed, and be at peace with your underworld. The antidote to populism is not neutrality, or equanimity, but sorrow.
“Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, and one by one.…
It is happy for man that he does not know what the morrow is to bring forth; but, unaware of this great blessing, he has, in all ages of the world, presumptuously endeavoured to trace the events of unborn centuries, and anticipate the march of time. He has reduced this presumption into a study. He has divided it into sciences and systems without number, employing his whole life in the vain pursuit. Upon no subject has it been so easy to deceive the world as upon this.”
Charles Mackay, Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, Gutenberg.
You pull over on a hilltop to take in the view. You are familiar with the geography, but the panorama fills your awareness with so much that you don’t know: values, intentions and functions imposed on the landscape by people you will never meet, living and dead. There is no clarity in country. Hidden in plain sight are privacy, family, opportunity and duty. Hidden in plain sight on the side of the road where overtaking motorists exercise caution in oncoming traffic are you and your astrology, the local, global and celestial contexts you impose on the patterns you see, the labours and refuges you theorize, and your interrupted journey itself.
In a way, your journey is just like the Earth’s, from the Moon’s perspective (and the Moon’s from Earth). Not to say that you go around in circles, but that your progress, though it be powered by gravity, internal combustion or the calories from breakfast, and mapped by waypoints called a and b, is measured by changes in the background, whether in space or time. So regular are these changes that from time immemorial popular belief has been seduced by the notion that they were created for your edification and control. Is astrology guilty? Do you really belong in a herd? Do the planets?
You might be angry if you weren’t so disgusted by fear of the anguish which, enthralled as you have been by the seductive growth of mystical connections, has so surprised you. You might direct that anger at a world which questions the rectitude of your state of mind and shows no inclination to conform to your dreams, or you might work with the anguish of a full-stop in search of a backspace and apostrophe to exclaim itself grammatically. In you, and around you, a conflict is raging, and the opposing sides have not identified themselves. Are these astral gates then battle lines between polarized forces? Are these bardo emotions personal or generic? On the bright side, they may be opportunistically confirmed because you can identify with them all.
Where do names and attributes come from, brainstem or frontal cortex? You may be sure, acculturated consensus notwithstanding, that when Indigenous Australians noticed the existence of variable stars, there were some who gave them names and told stories about them, but for most people there would have been nothing remarkable about changes in the sky, since nothing in country was, or is, permanent. Country is change. Over thousands of years, the “Southern Cross” at transit climbed higher and higher in the northern sky, until about 4000 years ago above where the 300-500 years old Corroboree Tree survives in Queens Way, Melbourne, it reached the zenith, and gradually it became more comfortable to see it in the south. Do you think it turned upside down? Did it shake any power structures?
How many identities do you have? How many more must you add to the intersection you call your Self before you feel your alienation, before your intellect collapses under its own weight, the weight of change, and you know the profound emptiness of being suspended in the arbitrary web of your own absence. Unless your feet know the emptiness of the dirt between you and the stars, get back in the car. You feel only your weight in your shoes, and so you will be safer on your backside. At least the underworld of your contribution to global warming may resound with the nostalgic hits of yesteryear as you proceed to point b, taking your conscious horizon with you.
The Southern Sign of the Constellation Aries, the domicile of the Ram and the Peasant Moon, is Scorpio, not Taurus. Mass circulation of Sun Sign horoscopes has captured the global population in Northern Spring, but just how important is your need to escape? Your reading of the quoted text by Mackay, so contemptuous of the peasants, has conflated opportunism and populism. Aggression might win an advantage in the manger where Autumn is trying to snuggle among the absent newborn while Ferdinand dreams of flowers, but hibernation is an equally attractive proposition. Populists may properly be regarded as opportunistic manipulators of ignorance and cynical exploiters of fear and resentment, but populism per se is misunderstood as ignorant and smug. Populism is empowered by a desire verging on the noble, to take an opportunity to integrate, not obey, a coming to attention with regard for a peasant Self without pretension to permanence, but which might withstand the desacralizing news cycle of doom, which, as we all know, trigger by trigger, activates our incoherent and piecemeal emotional response and threatens our very existence. Ah well, that’s Autumn Country for you.
The sceptre, learning, physic, must All follow this, and come to dust. Shakespeare, Fidele’s Dirge.
The Autumn horoscopes of Virgo personalities devoured by Southern Hemisphere commuters born in Spring are beyond rational understanding, but there is no stronger influence on human behaviour than confirmation bias, and I am not butting my head against it. So let it stand for the moment that this year the first Moon of Northern Hemisphere Spring, pivotal in the lives of Christian believers, is born in the Sign of Pisces and culminates immediately before Easter in the Sign of Libra. It has remained a convention among European invaders of the South for 500 years. The fact remains that the astrological romance of each Moon’s journey from inspiration to realization is complicated by the journey of the Sun: the first realization of the Full Moon as it dramatises its Opposition is that the Sun has moved on, and navigation is ambiguous in the shoals of memory, as any expatriate visiting ‘home’ will attest. Convention is not mere habit, but the fabrication of a new chapter in the same story, a contest of intuition and language, memory and awareness, success and defeat. One person’s affluence is another’s deprivation. One person’s ritual self-discovery is another’s defilement. Convention is a truce.
But can the truce hold? When the Moon elected to worship the Sun Goddess as a man, he neglected the resilience of convention, and must now admit some culpability for a worldwide resentment among women towards his mansplaining. He meant to portray himself as subordinate to the coordinating power of female creativity, but deep in the brainstem from whence he drew his interpretations of gender there did lurk an urge to power. The ambiguity of his reflected outshining was tainted by denial that he was underplaying a primeval contest, and that he might represent just another patriarch with 27 concubines. Was there not a caricature of triumph in the metaphor of dragging Goddesses by the hair out of their Underworld hill caves to worship his worship? Even if all experience is the crocodile speaking, relationship is a more serious issue than this.
One person’s instinct is another’s reason. As previously explored, the alignment of the ancestors in a straight line passing directly overhead has two configurations: one associated by indigenous custom with the mystery of male initiation, and the other labelled idiosyncratically as the Wanderer, a possible celebration of gender difference locked into the progressive possibilities of iconoclasm emerging from the Underworld River of Lethe. Perhaps this moment, visible in complete darkness in the first quarter of the year, might be the birth of a New Moon with a difference, deriving his trajectory not from Goddess worship, but from self-worship among the ambiguous roots of identity in the somatic soup of retrospection.
Thus might the Moon be relegated to the ranks of those who dangerously deal their own cards, resentment and victimization be revealed as premeditated, and interpretation of selfhood dare to contradict convention. Meanwhile, he seems in the South to have fallen right way up out of the frying-pan of Pisces into the fire of Virgo.
What it all boils down to is, in attempting to give personality to the Moon, I have landed him with the same problem we persons all have to deal with: how to get inside another’s mind, indeed how to get inside our own without an objective system of meanings such as astrology which infers that another can get in there.
To paraphrase Bob Dylan’s prescient lines, you were kidding me, you weren’t really from the farm, and I told you later as you tore out my eyes, that I never really meant to do you any harm. Perhaps we must leave it at that. Own your conventions and their ancestral languages, and let no Goddess need recourse to claims of being framed, or farmed. And yes, rejoice in any unconventional primal resurgence of the cardinal directions, especially their upsidedown-ness, and let us hope that our subscription to their metacortical experience does not inadvertently expire.
Have you ever been told to lighten up? Then you know the meaning of ‘frivolity’: letting go, moving on, getting over it, getting a life.
Frivolity is a question, not a statement, a New Year’s resolution you have no capacity to keep to, whether you know it or not. It’s the quality of the change to Australia’s national anthem from “We are young and free,” to “We are one and free,” when you’re broke and marooned outside your state by sudden and remorseless Coronavirus lockdowns.
Adherents to the settler narrative of Australian history and sympathisers with indigenous dispossession have been yelling “Get a life!” at each other for decades, and who knows which side is Morlocks and which side is Eloi? Finally, the issue has been resolved, along with the implications of absurdity our foretaste of Armageddon flings at our compulsive drive to be someone else.
The good burghers of a community in Queensland have invited the Moon down from the south to join with the elders Jupiter and Saturn, and the social media influencer Mercury, to help celebrate the day Sarina rejoins the Southern Hemisphere and brings Australia as one a day closer. All over town posters are advertising the upending of astrological meaning and the trivialisation of winter-sign intentions. Only those with permits will be allowed to enter from the north from midnight when police from Mackay and Rockhampton will glare at each other across a formidable barricade. But it’s not really an imposition on anyone’s freedom, just a harmless bit of fun: on Bramble Cay Day, February 25, every Australian will be south of the karma police blockade!
It is early in the morning of the year. We go abroad with faith alive in us, but let us not confuse the task of nurturing our faith with the insanity of perfection. If no amount of mindfulness can discourage you from striving to improve yourself, do try not to be motivated to be better than me. Keep faith not only with hope, but with anxiety, not only with imagination, but with dread. It is not wise to erect confidence on the entertainment of your judges, nor on the vanity of self-worth. The world of power and the subservient self are what they are, not what they ought to be.
Without in any way seeking to trivialise the sentiments of the previous paragraph, but also without further ado, let us sashay on into 2021 with those memorable words resounding in our aerodynamic Dumbo flaps: a day without a good belly-laugh is a day wasted!
“Superfluous lags the vet’ran on the stage…”, Samuel Johnson, l. 308, The Vanity of Human Wishes, 1749, derived from Juvenal, Satire X.
Remember the days of old, consider the years of many generations: ask thy father, and he will shew thee; thy elders, and they will tell thee. Deuteronomy 32:7, King James Bible.
It’s no use. The Veteran cannot hide from the truth. It’s not just that his triumph in Northern skies comes in the middle of a Coronavirus-infested winter, as humanity struggles to celebrate the turning of the year with breaking heart, or that in Southern skies his diminutive opposition to a searing Sun needs the compensation of the un-moonlit symmetry of the Eurocentric mythical Twins to impress, but having crossed the Lethe immediately before syzygy, he realizes in his curtain call only the magnitude of the reintegration which lies ahead for the audience (who are yet oblivious to the Acheron River which daytime has just crossed), and the possibility that he no longer has the will to help. Oh God, not more feelings!
On the other hand, the Veteran has died and been reborn so many times that the Bardo provides his second name: “The Hell You Say!” The Tenth Bardo House of Boredom is one he particularly enjoys, where the cleansing of the Lethe affords him the luxury of staring out of the window of the Northern Tropical Indolence bus on his way to Total Withdrawal, paying no attention to dark continents rolling him around their clocks. His fellow-passengers cannot wait to get off: being bored is akin to being boring; the emissions from the bus out-thrust its propulsion; grasping is mindfully consuming acceptance; and forests of wild viruses are being cleared for the graduation of sated ignorance. “We must alight at centre-stage,” they cry. Not the Veteran. He is indifferent to the footlights, and to his demotion from a starring role for the next twenty-four times he appears on this stage: you will not see a Full Moon in Gemini (the Constellation) until January 2023.
What tortuous labyrinths of despair might just squeeze a sleeper up to the surface? What convulsions of suppressed hatred, what intestinal convolutions of corruption and deliberate pain? What catacombs of memory, what collapsed and utterly expunged escape routes out of anxiety? What tectonic shifts of catatonic stress? And reversing direction, the Ngaanyatjarra Lands in the Australian Central Ranges is no country for old fish.
It is time and memory which stamp Veteran country, a duration of exile from the permanent present. Aligned with the course of the Moon’s progress across the faintly visible constellations between Sagittarius and Gemini, Woe and Forgetting, and irrevocably past Regulus and Spica and Antares to the Acheron again, an artesian underworld meanders beneath a landscape dotted with caves, one of which is yours, another mine.
The mechanism at the root of community is rectitude, confected as integrity and projected in hateful battle with any recalcitrant other which threatens its compensation. Rectitude stares at corruption and does not recognise its own reflection. Unable to find this mechanism in the self, rectitude finds itself starkly revealed in the face of the enemy. The Bardo of madness seethes with it.
Sun and Moon are conjunct in the Constellation of Libra, once the home of self-knowledge and -mastery, but consigned by the retrograde march of the seasons to the Sign of the Scorpion, whose assertiveness is better unopposed. In the South, its seasonal attributes are of the Bull. Not for nothing do we accuse each other of bullshit.
Of course, what the world of others tells you is not all lies, if you’re listening. I don’t wish to argue with you about Astrological Houses, you who make a living from imposing alien perspectives on Southern skies, but just look at the correspondence of the astro.com traditional chart of the birth of the Australian Commonwealth and compare it with a Stellarium view.
Turn the traditional numbering of the Houses back to front and upside down and they correspond. And what choice does astrology have? To show the Ascendant on the left to anyone orientated to the North looks like deliberate and self-defeating obfuscation!
The Southern way of going, if we imagine the first Spring Constellation in the First House, with the other Constellations arrayed anti-clockwise across the sky from East on the right to West on the left, introduces some strange yet resonant bedfellows to the self-defensive mind (Southern Signs in italics):- I TEMPERAMENT Virgo Perfection Aries II FORTUNE Leo Discrimination Pisces III INTELLECT Cancer Paranoia Aquarius IV REPUTATION Gemini Relativity Capricorn V ATTACHMENT Taurus Fear Sagittarius VI CONSTRAINT Aries Self-Development Scorpio VII RELATIONSHIP Pisces Aggression Libra VIII CHANGE Aquarius Relationship Virgo IX ASPIRATION Capricorn Deprivation Leo X REALIZATION Sagittarius Boredom Cancer XI HOPE Scorpio Ignorance Gemini XII MYSTERY Libra Seriousness Taurus
But, hey! Let’s not mess around with what works! Let’s not play with this confirmation bias thing lest tuning its relationship with what is really happening create identity issues, gender dysphoria or any number of other neurological implasticities. But ask yourself this question, ‘What is my intention in taking astrology seriously?’ And play with the answer, that regardless of the time of day, I may be stuck in the Twelfth House, and all you others may be holograms, projected from my Underworld memory without anyone’s consent.
“The last men, far from being the heirs of power, will be of all men most subject to the dead hand of the great planners and conditioners and will themselves exercise least power upon the future.” Lewis, C. S.. The Abolition of Man (Collected Letters of C.S. Lewis) (pp. 58-59). HarperOne. Kindle Edition.
“The past is the present’s food, and the present’s digestive system is synchronized, adapted as it has always been.” Abliq.
The phases of the Moon are conventions. The mathematical definitions of the relative positions of Sun and Moon on the Ecliptic are real enough, but what they define is imaginary, illusory, transient, relative and nebulous. When the Moon will be in conjunction with the Sun is important for anticipating eclipses and tides, and convenient for dividing the year, but the event itself as dependent arising occurs in nature as a disappearance, an invisible transition from morning crescent to evening crescent lasting several days. You would be right to call any moment in that transition a New Moon, wouldn’t you?
We all ‘know’ that it is the movement of the Earth, not the Sun, which continuously changes the Sun’s background stars, but once again, the stars behind the Sun’s present ‘location’ are invisible, and only tangible as somewhere between which stars are rising in the dawn and which are setting in the dusk. Nonetheless, thanks to the scales of measurement and frames of reference developed in astronomy for thousands of years, we can be confident that if the astrologers tell us this New Moon is happening in Pisces, it is, and if the astronomers tell us Aquarius, we can be confident of that too, and that the wet season the North once associated with the Water-Carrier asterism has gained on it a month.
Such matters as these present themselves for our contemporary scrutiny because the conventions of cultural interplay and civilized discourse seem to have dissolved into the contested perspectives from which they emerged. Southern Hemisphere Astrology focuses on norms at this time of year because Aquarius down here carries the conventional sign which precedes the Autumn Equinox, Virgo, associated with perspicacity tending towards perfectionism, not necessarily the obsessive compulsions you would not be alone in seeing everywhere at the present time. Aquarius upside-down resembles the post-graduate waiter who skilfully manages two armfuls of dishes while imparting a sniff at the conventional choice of wine a mealtime assemblage of newly independent MPs might have made.
By curious coincidence at the moment of New Moon as defined, a divine promise is being given to the good people of the Bowen Basin, where local and indigenous sovereignty has been under attack ever since it became conventional wisdom that the best way to pass on a better world to your grandchildren is to impoverish them, and the best way to beat the colonialist rap is to cede your sovereignty as a mark of indigenous ignorance. Perhaps the Adani coal-mine will proceed, honouring the wishes of the majority of traditional owners, and perhaps there will be fewer numbers in endangered species in the area for the rest of us to be unconscious of.
The Solar System orbits the Galactic Centre at about 230 kms/sec; the Earth orbits the Sun at about 30 kms/sec; and the Earth’s surface at Australian latitudes rotates at between about 350 and 460 metres/sec. If you add the approximate velocity of our galaxy through the universe of 583.3 kms/sec, that’s a lot of motion to be physically unaware of. It is up to you to decide which elite will be victorious: those who would override your sovereignty in the cause of mitigating climate change, or those who would override your sovereignty in the cause of minimizing the cost of energy. If it were up to me, I would not accept a scientific basis for the supremacy of any value, certainly not a rigid one.
The asterisms and myths of the Zodiac have been influential conventions on at least 500 successive generations, in ways we are as unconscious of as we are of our astronomical motion. These days, the Gregorian calendar and its widespread end-of-year celebrations, the urban lifestyle of the vast majority of the global population, and climate change itself, have largely supplanted the seasonal basis of human behaviour, and general precession will eventually associate every seasonal sign to every constellation, if it has not already done so, especially below the Tropic of Cancer.
Is a coking or thermal coal deposit below the surface or in the underworld?
Should the evaluation of the needs of others be an extrapolation of our needs, an ownership of theirs, or a continuous contestation of both by experts on the nature of ‘Reality’ and ‘The Good’? When it’s a simple matter of projection, why are we always compliant in the wars of the powerful?
The solstices precessed to the Galactic Plane in 1998 CE, and so for as long as recorded history into the future, the Sun’s maximum positive and negative declinations will precede its crossing of the Milky Way, assuming the IAU don’t fiddle. In 2177 CE, the December Equinox will precess into Scorpio in the Breamlea Zodiac. In 2228 CE, the Sun will cross the Galactic Plane on Christmas Day, and cross it New Year’s Day around 2700 CE. In all that time there is one thing that will not noticeably change, as it has not during the millennia of human civilization, and that is the stars in the background of the nodes where the Ecliptic intersects with the Galactic Plane. The Milky Way is as real as the seasons were when mass media began popularizing Sun Signs in the 1930s, as the Underworld Zodiac was when children asked 10 thousand years ago, “Why does the Sun go down?” and as the unconscious was at the dawn of the twentieth century when its geography was desacralized.
I, writing my epitaph, and thou, resonating with it, have this in common: we resist convention, but end up accepting that we belong in a timeless tradition–of accepting the wisdom of our ancestors, unscientific as it might be, as a prescription of who we are–into which we might be seen to have groomed those of our descendants who listened and were grateful for their culture.
Hidden deep within conventional astrology is an undisclosed intention, to help you make something of yourself. It is not just yiddishe mamas who define parental accomplishment as providing the world with more doctors and lawyers, and it is not just Western culture which judges a life by its social benefit. For 3000 years poets, storytellers, philosophers and priests have been teaching us the art of creating a self, and astrology has merely delivered a universal tool to the same end with its Sun Sign daily horoscopes. Astrology provides an aesthetic dimension to subjectivity’s game of chess with the world machine, but the aim of the game is to win.
Not necessarily fame and fortune, but something approaching those supremely admired achievements is still unquestioned as the purpose of life by those still desiring entry to heaven and those dutiful to heaven’s creation on earth, if only to convert the world, by force if necessary. Self-improvement is the madness of the House of Constriction in my astrology, but lack of motivation to better oneself and others verges on psychosis in the minds of most. What life discloses is a way forward, and if we don’t take it, some self-defeating mechanism must be involved.
The September Full Moon reflects both the impulse to leap into the traces and the grasshopper threat of not having enough laid by, and in keeping with the ostensible self-disclosure we admire in our delusion, the gambler mourns wasted opportunity. Does the father in the parable welcome the wastrel home because everyone deserves a second chance, or did his own youthful impatience reveal itself as it decayed into world-weariness? How many more eggs can we put into the basket of gender?
What image the prodigal doesn’t live up to, and where it resides, what initiation into the desirable path they receive, and who really desires it, are fraught questions. The imagery, not the morality, of cultural tropes would bear closer examination. The expectations of tiger mums may be deplorable, but would not self-awareness be more effective in discouraging her than stigma? The meditations of astrology on the subject of the vertex may serve better than a lifetime of therapy in the hands of professional imagery.
The image we harbour of the desirable other and the demeanour we develop, unconsciously and reactively, as a projection of our response, is as hidden as the ecliptic from which astrology derives its quantities. Even as avid a stargazer as I could not assert an observational basis for any significance in the altitude of the zodiac due west or east, and naturally I regard magnetic or electrical resonances with extreme suspicion. Previously explored here, the rapidity with which the Vertex can change Signs and houses in and near the Tropics, a huge chunk of Australia, may disqualify it as an element of personality formation. Nonetheless, as offering a spectrum across which to observe in ourselves the mysterious hormonal interaction of coincidentally waxing and waning images of the ideal, the Vertex is a fruitful concept.
As Alan Watts said, “It was a musical thing, and you were supposed to sing or to dance while the music was being played.” The Vertex is quintessential astrology. It is as the music of our soul that it discloses itself, just as the chemistry of photosynthesis discloses itself as wood and height. As the intersection of the western Zodiac and the Prime Meridian it makes no sense, but as the focus of all the important people who come into our lives, and leave them, it discloses the hormonal shades of our interest in others, what it is in them which arrests and seduces our instinctive will to be.
The pleasure of observing sunrise and sunset is part of it, and the degree of comfort I feel in the presence of another. The primordial resonances of east and west are part of it, and the feedback loops of projection. I experience the character of my love-image, and the success or otherwise of its projection, in cyclical patterns. They morph into different forms as the Vertex inhabits different constellations, in other words at different altitudes above and below the horizon, and at different times of life, of the year and day. The higher the zodiac, the more intense and constellated is the effect of the Vertex in the west or the anti-Vertex in the east; the lower it is the more primal and potentially transgressive. But these are my moves. Now you have a dance!
You be the judge. Do you find yourself varying the dosage of your self-medication at these times?
Incidentally, it seems patently obvious to me that conjunctions of stars and planets with the Vertex should be measured horizontally, not along the Zodiac. Here is a particularly seductive alignment in Charleville’s narcissistic Prodigal underworld. Note the configuration of the Milky Way, giving the lie to the synchronous Covenant invisible on the Australian side.
Here’s another one, possibly the hormonal undercurrents of a bleary elevator ride following another $50,000 of inheritance blown on the roulette wheel.
This graphic way of representing or imagining the underworld, as the hidden correlates of the conscious or visible, not only unites the hemispheres, but persistently alerts us to the existence of the Other in ourselves, a partner in the dance. No culture is alien to any other. No way of looking at things is entirely wrong. No perspective is unique, or entirely conscious. There are no opposites in gender. Projection is the very definition of imagery.
What if the altitude of the Zodiac around the time of your birth, in the evening or early morning according to outhouse visitation preferences, had a big influence on what your parents decided, perhaps in a narcissistic epiphany at the pan, to impose on your meaning in their lives? Must such self-unawareness surely ordain your eventual repudiation? Is “What went wrong with you?” our universal doom? A global government must surely take this seriously, and coordinate biometric data on transnational emotional and imaginative responses to the Vertex, in order to remove parental bias from the resonance of upbringing in our careers and relationships!
Let it be emphasized that the natural resonance of the Vertex is unifying, that across the threshold of consciousness, across the seasonal polarity of the hemispheres, its Signs are the same, and cardinal directions are interchangeable.
However, unity is a dangerous thing to wish for. Not only could astrology-savvy AI enable police reinforcements to be mobilized in anticipation of conjunctions of a full moon with disruptive angles (cue Charleville), but its design might impose extreme intolerance, of resistance to careers in medicine and the law for example. Our cultures are divided in their attitudes to gender fluidity: artificial reunification might as easily be designed to eradicate it, and prohibit homosexuality as a sacrilege and mental disorder, as be designed to destigmatize its hormonal fluctuations. One could ask, what went wrong with the hormones of Indonesian Islamists? ‘Eternity’, the Vertex in the Ninth House (Aspiration), in the Tropics? Or ‘Permanence’ in the Fourth (Reputation), eternity’s fetish?
The words of the Prophet belong in the world which discloses itself to childhood. They are the lawns of suburban parks and backyards, evolved to minimize injuries and indelible stains through generations of debate about the Good. They exist in Reason, as binary gender does, but they are made of grass, which is the disclosure of Instinct. You could say that lawns help grass to make something of itself, but they are really weeds dancing with the machine.
“Defined in the end by its disenchanted context, the human self too is inevitably disenchanted. Ultimately it becomes, like everything else, a mere object of material forces and efficient causes: a sociobiological pawn, a selfish gene, a meme machine, a biotechnological artifact, an unwitting tool of its own tools. For the cosmology of a civilization both reflects and influences all human activity, motivation, and self-understanding that take place within its parameters. It is the container for everything else.” Richard Tarnas, Cosmos and Psyche [Viking, 2006, p.33].
A drone is an unmanned aerial vehicle, like a satellite without responsibility for its own trajectory. The meanings we have given the Moon’s orbit derive not from its motion, which is straightforward, if subject to gravitational influences and historical violent collisions, but from our perspective. However, not only its elliptical orbit and the inclination of its orbit to Earth’s but their phenomena belong to the body of the world. The Moon’s angular distance from the ‘First Point of Aries’ and its deviation from the Ecliptic are real, and so is its apparent size and phase, though these are not its properties. The law which has always addressed and divided humans, punitive and often aggressive and cruel, is real in the same way. Its initiates are drones; it is inherent in country as a phenomenon, not a property. Country is the body of the world we are made of as we perceive it, or rather create it with our perception and account of ourselves.
To recognize the Constellation of Capricornus in the night sky is to be seduced into an expansion of its proportions. The smallest Zodiac Constellation is also exceedingly dim over cities, but to compensate, it can impose its shape beyond its boundaries, across the entire field of vision, because it is replicated by the stars surrounding it, as the personage inhabits the child who wears an item of its clothing.
The Fish-Goat was placed in the heavens by ancient reverence for duplicity as the birth-pangs of subjective consciousness: for the state of being one thing in the world of aggression and another in the inner space of difference. Capricorn is the symbol of deceit. The fish-goat was fatally flawed: it was ruled by the desire to under-stand the gods. It was obliged to climb out of the waters of oneness with the tides of spirituality to actualize the commands of its god. Sadly, by the time it clambered onto the historical shore, social relations were no longer a chorus of inner voices, but a mime of certainty obtained from the soundless reading of the written word, and the goat-fish could not read. He became a goat, his own body, and lost his mind to goat’s head soup.
To this day, Capricorn in the Breamlea Zodiac continues to resonate with the concern for authenticity which is the hallmark of the present age. As a late summer constellation, a mansion the Southern Sun occupies from January to February, it carries the fifth Sign of Leonine confidence, but as the winter mansion of the Southern Full Moon it also carries the eleventh Sign of Aquarian altruism. It symbolizes our struggle with deceit, life making do with the subordination of care and the subterfuge of being. Gone is the Aquarian impulse to found a harmonious commune—the New Age has morphed into a therapy for addiction and dissent—and gone is the respectability of an inner life immersed in canons of literature and music. The techniques developing today are to affirm identity from hostile country, to give voice which overcomes noise, to colonise public space, to stop hiding, to dream the life, to think the body.
You have been brought here to the Port Louis Casino to observe how these techniques might be more successfully developed and employed on country. For tens of thousands of years the Moon has presented its metaphor for human existence, waxing and waning, emulating the path of the Sun optimistically in winter, soberly in summer, regularly and irresistibly receding and drawing near. Tonight, by remote control, we are synchronized with the Moon’s eclipse at apogee. What can we learn from the Moon’s survival of bombardment of our own experience of persecution by the world? Can we emerge from violence non-violently? Can we slough the fishtail of an eye for an eye, pause in the struggle for existence on the stony paths of goathood to enjoy ourselves, without creating enemies of mind and body, self and world, instinct and expertise? Can we create country in our own beautiful image? Can we both empty and own our body, its eccentricity, obliquity and remote-control eclipse?
The good people of Nhill have set the standard for living on country. All you need to know is how to put yourself on the map, obliquely perhaps, but always with good grace. We’re all winging it, aren’t we?
“‘Where is God?’ he cried; ‘I’ll tell you! We have killed him – you and I! We are all his murderers. But how did we do this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are we not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren’t we straying as though through an infinite nothing? Isn’t empty space breathing at us? Hasn’t it got colder? Isn’t night and more night coming again and again? Don’t lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition?…’”
Nietzsche, The Gay Science, Book 3, §125, “The madman” [Trans. Josefine Nauckhoff, Cambridge University Press, 2001].
“…It’s not anger that I feel towards the two of you, it’s something much, much worse.
It’s pity.
You have no empathy for your fellow man, and you clearly have no idea what love is.
So you have nothing.” Anthony Maslin.
“…To be different/ imperfect/ not normal is scary.
To be different/ imperfect/ not normal in a world where everyone projects ‘perfect’ is a fear
I tell my story here to confront that fear.
To show the world who I am.
I am Grief. This is me. Grief is me.
To look at me is to see your own fear reflected back at you.
To look at me is to also see strength.
The strength of us all.
All of those who stand behind me.
The strength of my fathers and grandmothers.
An ancient strength.
The strength of my land.
My land of burnt umber and dry sand.
The strength of laterite and million year old tears.
The strength of the broken who rebuilt.
What do you see when you look at the bully?” Rin Norris.
I see stars. I see someone controlled by the body. I see a drone.
